MOZART | Concerto No. 9 in E-flat Major, K. 271: I. mm. 102–8
 

“Splitting the octaves between the hands improves legato. Some of the sixteenth-note figures are very awkward, so taking the occasional note in the left hand helps. Grabbing the last three notes before the right-hand leaps facilitates a secure shift.”

Submitted by Michael Clark

Published on 1/1/2020

 
MOZART | Sonata in B-flat Major, K. 333: I. mm. 19–21
 
Piano fingerings for Sonata in B-flat Major, K. 333, by Wolfgang Amadeus Mozart

“Playing the sixteenth notes that occur on the quarter beats with the right hand thumb helps to voice the "hidden" line in this compound melody. This redistribution is also designed to allow the right hand to remain in a relatively relaxed position when playing this passage at the indicated "Allegro" tempo. The performer should be careful to avoid emphasizing the left hand thumb in the same manner as the right hand or holding the thumb notes in either hand longer than the duration of a sixteenth note.”

Submitted by Jonathan Scofield

Published on 4/29/2020