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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Airs chantés, FP 46: IV. Air vif: mm. 19–26

Piano fingerings for Air vif from Airs chanté, FP 46, by Francis Poulenc

“Taking the Bs in the left hand in m. 19 helps reduce the number of wide positions in the right hand. Taking the C in m. 22 in the left hand gives the right hand extra time for its leap.”

Submitted by Michael Clark

Published on 3/26/2020

Art SongMichael ClarkAugust 26, 2017Francis Poulenc, Airs chantés (FP 46), Michael Clark, art song, facilitate leap, reduce position shiftsComment
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POULENC | Airs chantés, FP 46: II. Air champêtre: mm. 9–10

Art SongMichael ClarkAugust 26, 2017Francis Poulenc, Airs chantés (FP 46), Michael Clark, art song, reduce position shifts, redistribution, avoid stretch, improve legato
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POULENC | Airs chantés, FP 46: IV. Air vif: mm. 43–44

Art SongMichael ClarkAugust 26, 2017Francis Poulenc, Airs chantés (FP 46), Michael Clark, art song, avoid stretch
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