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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Airs chantés, FP 46: I. Air romantique: mm. 27–31

Piano fingerings for Air romantique from Airs chanté, FP 46, by Francis Poulenc

“Taking the Gs in the left hand in m. 28 allows the right hand to get into its next position early. Similarly, taking the C in the left hand in m. 30 makes the leap easier.”

Submitted by Michael Clark

Published on 3/26/2020

Art SongMichael ClarkAugust 26, 2017Francis Poulenc, Airs chantés (FP 46), Michael Clark, facilitate leap, redistributionComment
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OBRADORS | Canciones clásicas españolas, vol. 1: VII. Coplas de Curro Dulce

Art SongMichael ClarkSeptember 1, 2017Fernando Obradors, Canciones clásicas españolas (vol. 1), Michael Clark, art song, avoid stretch, redistribution
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POULENC | Airs chantés, FP 46: I. Air romantique: mm. 58–61

Art SongMichael ClarkAugust 26, 2017Francis Poulenc, Airs chantés (FP 46), Michael Clark, art song, reduce position shifts, redistribution
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