“Splitting the octaves between the hands improves legato. Some of the sixteenth-note figures are very awkward, so taking the occasional note in the left hand helps. Grabbing the last three notes before the right-hand leaps facilitates a secure shift.”
Submitted by Michael Clark
Published on 1/1/2020
“I like the legato I can produce with this fingering.”
Submitted by Michael Clark
Published on 1/1/2020
“I like to divide the work more evenly between the hands.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the first sixteenth note of each group in the left hand results in a more brilliant and secure performance.”
Submitted by Michael Clark with thanks to Mia Hynes
Published on 1/1/2020
“I appreciate the added security this fingering brings to the leap.”
Submitted by Michael Clark
Published on 1/1/2020
“This fingering improves legato by eliminating a leap to the sixth.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the G in the right hand allows the left hand to stay in one position for the octave.”
Submitted by Michael Clark
Published on 1/1/2020