“Splitting the middle voice between the hands in this way facilitates legato in all parts.”
Submitted by Michael Clark
Published on 1/1/2020
“It’s difficult to find a legato fingering for the alto line in the right hand while sustaining the C with finger 5. Fortunately the final C in the alto line is within reach of the left hand.”
Submitted by Michael Clark
Published on 1/1/2020
“Interchanging the middle voice between the hands in this way helps maintain legato in all voices with the minimal pedal that Danielpour requests.”
Submitted by Michael Clark
Published on 3/8/2023
“I sustain the lowest voice with the sostenuto pedal so my left hand can jump up to play the G and F-sharp of the middle voice, freeing my right hand to maintain a projected sound and legato connection in the upper voice with the minimal pedal that Danielpour requests. The fingerings in Italics are Danielpour’s.”
Submitted by Michael Clark
Published on 3/8/2023
“Interchanging the middle voice between the hands in this way helps maintain legato in all voices with the minimal pedal that Danielpour requests.”
Submitted by Michael Clark
Published on 3/8/2023
”Use the right hand to play the inner voice and bring out the subject in the left hand.”
Submitted by Po Sim Head
Published on 1/30/2021