“Transferring the D-flat to the left hand relieves the right hand from hurrying up to its next position, allowing greater control of the pianissimo dolce sound.”
Submitted by Michael Clark
Published on 8/22/2022
“Taking these notes in the right hand helps me maintain legato in the melody while changing the pedal for the new C-sharp bass note.”
Submitted by Michael Clark
Published on 8/22/2022
“I like the feel of dividing these notes more evenly between the hands.”
Submitted by Michael Clark
Published on 8/22/2022
“Isolating the F in the right hand reduces the distance of the position shift and facilitates bright voicing.”
Submitted by Michael Clark
Published on 8/22/2022
“This fingering helps me deliver bright accents and improves my accuracy in the right hand.”
Submitted by Michael Clark
Published on 8/22/2022
“Redistributing the bottom of the right-hand chord shortens the distance the right hand must travel and enhances my accuracy.”
Submitted by Michael Clark
Published on 8/22/2022
“Taking the G in the left hand allows the right hand extra time to move to its new position.”
Submitted by Michael Clark
Published on 8/22/2022
“Taking the G in the left hand creates a more compact position in the right hand while hardly expanding its own span. The smaller interval in the right hand allows me to use both 4 and 5 and align my arm for maximum power on the accent melody note.”
Submitted by Michael Clark
Published on 3/8/2023
“I divide the septuplet between the hands in this way, finishing with the right-hand thumb to more reliably project the strong accent.”
Submitted by Michael Clark
Published on 3/8/2023
“Interchanging the middle voice between the hands in this way helps maintain legato in all voices with the minimal pedal that Danielpour requests.”
Submitted by Michael Clark
Published on 3/8/2023
“I sustain the lowest voice with the sostenuto pedal so my left hand can jump up to play the G and F-sharp of the middle voice, freeing my right hand to maintain a projected sound and legato connection in the upper voice with the minimal pedal that Danielpour requests. The fingerings in Italics are Danielpour’s.”
Submitted by Michael Clark
Published on 3/8/2023
“Interchanging the middle voice between the hands in this way helps maintain legato in all voices with the minimal pedal that Danielpour requests.”
Submitted by Michael Clark
Published on 3/8/2023