“I find this redistribution more reliable for controlling the leggiermente sound of this challenging passage so close to the beginning of the piece.”
Submitted by Michael Clark with thanks to Logan Skelton
Published on 1/1/2020
“I find this redistribution more reliable for controlling the leggiermente sound of this challenging passage so close to the beginning of the piece.”
Submitted by Michael Clark with thanks to Logan Skelton
Published on 1/1/2020
“Switching to the right hand one note early makes this moment less crowded between the hands.”
Submitted by Michael Clark with thanks to Craig Nies
Published on 1/1/2020
“I find this fingering more reliable.”
Submitted by Michael Clark
Published on 1/1/2020
“Splitting the octaves this way facilitates a legato connection.”
Submitted by Michael Clark
Published on 1/1/2020
“Splitting the middle voice between the hands in this way facilitates legato in all parts.”
Submitted by Michael Clark
Published on 1/1/2020
“It’s difficult to find a legato fingering for the alto line in the right hand while sustaining the C with finger 5. Fortunately the final C in the alto line is within reach of the left hand.”
Submitted by Michael Clark
Published on 1/1/2020