“I like the feeling of maintaining legato fingering in the highest voice, so I prefer to divide the syncopated line between the hands to facilitate this.”
Submitted by Michael Clark
Published on 1/5/2024
“Taking the alto G in the left hand helps me maintain legato without stretching.”
Submitted by Michael Clark
Published on 1/5/2024
“Taking the tenor D with the right hand allows me to sustain the bass note while changing the pedal.”
Submitted by Michael Clark
Published on 1/5/2024
“These notes fit well in the right hand as they lead into the next measure. and prevent extra shifts in the left hand.”
Submitted by Michael Clark
Published on 1/5/2024
“I find that trading the melody between thumbs in this way helps improve the smoothness of the melody line.”
Submitted by Michael Clark
Published on 1/5/2024