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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | To a Yellow Rose: mm. 11–12

 

“I like the feeling of maintaining legato fingering in the highest voice, so I prefer to divide the syncopated line between the hands to facilitate this.”

Submitted by Michael Clark

Published on 1/5/2024

 
Solo PianoMichael ClarkJuly 3, 2017Florence Price, Three Roses, Michael Clark, redistribution, divide more evenly between hands, Share Middle Voice Between Hands, improve legatoComment
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PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 110–11

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, hand crossing, grace note(s), facilitate leap
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PRICE | To a Yellow Rose: mm. 17–19

Solo PianoMichael ClarkJuly 3, 2017Florence Price, Three Roses, Michael Clark, redistribution, avoid stretch
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