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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | To a Yellow Rose: mm. 17–19

 

“Taking the alto G in the left hand helps me maintain legato without stretching.”

Submitted by Michael Clark

Published on 1/5/2024

 
Solo PianoMichael ClarkJuly 3, 2017Florence Price, Three Roses, Michael Clark, redistribution, avoid stretchComment
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PRICE | To a Yellow Rose: mm. 11–12

Solo PianoMichael ClarkJuly 3, 2017Florence Price, Three Roses, Michael Clark, redistribution, divide more evenly between hands, Share Middle Voice Between Hands, improve legato
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PRICE | To a Yellow Rose: mm. 20–21

Solo PianoMichael ClarkJuly 3, 2017Florence Price, Three Roses, Michael Clark, redistribution, sustain bass note, facilitate clearer pedaling
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