“Taking the C in the right hand facilitates a smooth transition to the next downbeat.”
Submitted by Michael Clark
Published on 9/3/2023
“Dividing the run this way helps me stay organized rhythmically and highlight the changes in register.”
Submitted by Michael Clark
Published on 9/3/2023
“I begin with the left hand over the right hand but by m. 6 it is more comfortable to have the right hand over the left hand. Taking the lower B-flat into the left hand facilitates this switch.”
Submitted by Michael Clark
Published on 9/3/2023
“Taking the bottom notes of these chords into the left hand reduces the need to shift in both hands.”
Submitted by Michael Clark
Published on 9/3/2023
“Taking a few notes into the left hand helps my right hand maintain a more compact position for better voicing and facility in this difficult passage.”
Submitted by Michael Clark
Published on 9/2/2023
“Taking a few notes into the left hand helps my right hand maintain a more compact position for better voicing and facility in this difficult passage.”
Submitted by Michael Clark
Published on 9/2/2023
“Taking the As as part of the right-hand chord allows the left-hand to more vigorously rip the triplet.”
Submitted by Michael Clark
Published on 9/3/2023
“These redistributions are designed to facilitate improved voicing and legato in the melody line.”
Submitted by Michael Clark
Published on 9/3/2023
“I find it simpler to start this triplet line in the left hand, allowing the right hand to begin with finger 1 on the D-natural.”
Submitted by Michael Clark
Published on 9/3/2023
“The top note of the left-hand chord easily forms an octave with the right-hand line, more evenly dividing the notes between the hands.”
Submitted by Michael Clark
Published on 9/3/2023
“This distribution divides the notes more evenly between the hands, facility better voicing and legato in the top line.”
Submitted by Michael Clark
Published on 9/3/2023