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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Scenes in Tin Can Alley: II. Children at Play: mm.

 

“Taking the As as part of the right-hand chord allows the left-hand to more vigorously rip the triplet.”

Submitted by Michael Clark

Published on 9/3/2023

 
Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, facilitate articulation, avoid finger crossing, reduce position shiftsComment
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PRICE | Scenes in Tin Can Alley: II. Children at Play: mm. 50–53

Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, awkward passagework, divide more evenly between hands, use stronger fingers
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PRICE | Scenes in Tin Can Alley: III. Night: mm. 34–39

Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, improve legato, improve voicing
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