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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Scenes in Tin Can Alley: II. Children at Play: mm. 3–6

 

“I begin with the left hand over the right hand but by m. 6 it is more comfortable to have the right hand over the left hand. Taking the lower B-flat into the left hand facilitates this switch.”

Submitted by Michael Clark

Published on 9/3/2023

 
Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, avoid crowding, over-under switchComment
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PRICE | Scenes in Tin Can Alley: I. The Huckster: mm. 46–47

Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, maximize power, scale
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PRICE | Scenes in Tin Can Alley: II. Children at Play: mm. 30–33

Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, reduce position shifts
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