“Dividing these gestures between the hands makes them more powerful and more reliable.”
Submitted by Michael Clark with thanks to Logan Skelton
Published on 3/13/2020
“The left hand is resting—no need to leap in the right hand for the F-sharp.”
Submitted by Michael Clark
Published on 3/13/2020
“Taking the the bottom notes of the right-hand octaves allows both hands to remain within a fifth. Any energy saved by using a more compact hand position is necessary in this fast and virtuosic movement.”
Submitted by Michael Clark
Published on 3/13/2020
“I find that these patterns generally work well passing from left to right as the register shifts with the exception of m. 106 where I briefly alternate the hands.”
Submitted by Michael Clark
Published on 3/13/2020
“I find it necessary to eliminate the crowded moments in this rapid passage by taking the top note of the left-hand chords in the right hand.”
Submitted by Michael Clark
Published on 3/13/2020