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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

GINASTERA | Piano Sonata No. 1, Op. 22: I. mm. 70–73

 
Piano fingerings for Piano Sonata No. 1, Op. 22, by Alberto Ginastera

“The left hand is resting—no need to leap in the right hand for the F-sharp.”

Submitted by Michael Clark

Published on 3/13/2020

 
Solo PianoMichael ClarkOctober 13, 2018Alberto Ginastera, Piano Sonata No. 1 (Op. 22), Michael Clark, avoid finger crossing, redistribution, facilitate leap, two-hand startComment
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GINASTERA | Piano Sonata No. 1, Op. 22: I. mm. 30–35

Solo PianoMichael ClarkOctober 13, 2018Alberto Ginastera, Piano Sonata No. 1 (Op. 22), Michael Clark, maximize power, redistribution, divide more evenly between hands
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GINASTERA | Piano Sonata No. 1, Op. 22: II. mm. 38–42

Solo PianoMichael ClarkOctober 13, 2018Alberto Ginastera, Piano Sonata No. 1 (Op. 22), Michael Clark, fast chords, reduce position shifts
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