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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

GINASTERA | Piano Sonata No. 1, Op. 22: IV. mm. 148–56

 
Piano fingerings for Piano Sonata No. 1, Op. 22, by Alberto Ginastera

“I find it necessary to eliminate the crowded moments in this rapid passage by taking the top note of the left-hand chords in the right hand.”

Submitted by Michael Clark

Published on 3/13/2020

 
Solo PianoMichael ClarkOctober 13, 2018Alberto Ginastera, Piano Sonata No. 1 (Op. 22), Michael Clark, avoid crowding, redistributionComment
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GINASTERA | Piano Sonata No. 1, Op. 22: II. mm. 103–12

Solo PianoMichael ClarkOctober 13, 2018Alberto Ginastera, Piano Sonata No. 1 (Op. 22), Michael Clark, maintain technical pattern, redistribution
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GRANADOS | 12 Tonadillas al estilo antiguo: II. Amor y odio: mm. 7–9

Art SongMichael ClarkSeptember 17, 2018Enrique Granados, 12 Tonadillas al estilo antiguo, Michael Clark, art song, double notes, isolate melody, redistribution
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