“The left hand is leaping anyway, so taking an extra note is not a big deal, and it frees the right up for an alternate fingering that better prepares for the following measure.”
Submitted by Michael Clark
Published on 1/1/2020
“The bottom notes of the treble staff naturally fall into left hand territory, facilitating an easier legato.”
Submitted by Michael Clark
Published on 1/1/2020
“I find it easier to take the last notes of these wide arpeggios in the right hand.”
Submitted by Michael Clark
Published on 1/1/2020
“The D falls easily into the right hand, allowing the left hand to be better positioned for the following measure.”
Submitted by Michael Clark
Published on 1/1/2020
“Grabbing the G in the left hand eliminates a dangerous leap in the right hand, replacing it with a much more manageable shift in the left hand.”
Submitted by Michael Clark
Published on 1/1/2020
Submitted by Christian McGee
Published on 1/27/2020
Submitted by Christian McGee
Published on 1/27/2020
“The right hand is already on this C at the end of the previous measure, and playing it again with the right hand breaks up the left hand into two more manageable positions.”
Submitted by Michael Clark
Published on 3/17/2020
Submitted by John Kline with thanks to Vladimir Ashkenazy
Published on 2/29/2020
“Silently transferring the top note of the fifth into the left hand allows it to be held for its full duration.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the F in the right hand facilitates a finger substitution on the A-flat, making it possible to sustain it for its full value.”
Submitted by Michael Clark
Published on 1/1/2020
“The left hand is already in a higher register. Why not help out the right hand?”
Submitted by Michael Clark
Published on 1/1/2020
“I find using two hands is more reliable and looks good.”
Submitted by Michael Clark
Published on 1/1/2020
“Repeat provided fingering patterns through the measure.”
Submitted by Kevin Lee Sun
Published on 1/28/2022
“Take these two note notes with left hand is a secure way to end the trill and make the leap.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the double-stemmed note in the left hand helps to voice it distinctly from the other notes in the arpeggio.”
Submitted by Michael Clark
Published on 1/1/2020
“I find it easier to begin with an octave in the right hand.”
Submitted by Michael Clark
Published on 1/1/2020
“These redistributions favor compact hand positions and minimal position shifts to maximize efficiency on this extremely fast and dense passage.”
Submitted by Michael Clark with thanks to Nancy Weems
Published on 1/1/2020