“Using this fingering on the ascending arpeggio in the right hand leads smoothly into the octaves. On the descent, I prefer to start with an octave in the right hand so that the left hand can start with 1 on D.”
Submitted by Michael Clark
Published on 1/1/2020
“I find it easier to begin with an octave in the right hand.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the alto notes in the left hand allows the right hand to use stronger fingers on the triplet.”
Submitted by Michael Clark
Published on 1/1/2020
“I find it easier to start passages like this with an octave in the right hand.”
Submitted by Michael Clark
Published on 1/1/2020
“These redistributions are designed to eliminate as many unnecessary position shifts as possible.”
Submitted by Michael Clark
Published on 3/12/2020
“In such a low range, I prefer to start the grace notes as an octave. It also simplifies the groupings in the right hand.”
Submitted by Michael Clark
Published on 1/3/2021
“Starting the scale with a left-hand octave is more secure.”
Submitted by Michael Clark
Published on 1/1/2020
“Good luck to all who attempt this dreaded passage.”
Submitted by Michael Clark
Published on 1/1/2020
“Starting with a right-hand octave facilitates a left-hand position shift over a smaller interval (D to C-flat). Grabbing the E-flats as a left-hand octave in m. 445 eliminates a fingering cross that I found unreliable.”
Submitted by Michael Clark with thanks to Robert Roux
Published on 4/18/2020