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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BRAHMS | Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1: III. 43–44

 
Piano fingerings for Sonata for Clarinet and Piano in F Minor, Op. 120, No. 1, by Johannes Brahms

“The bottom notes of the treble staff naturally fall into left hand territory, facilitating an easier legato.”

Submitted by Michael Clark

Published on 1/1/2020

 
Chamber MusicMichael ClarkAugust 2, 2019Johannes Brahms, Clarinet Sonata in F Minor (Op. 120/1), Michael Clark, redistribution, improve legato
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BRAHMS | Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1: III. mm. 7–9

Chamber MusicMichael ClarkAugust 2, 2019Johannes Brahms, Clarinet Sonata in F Minor (Op. 120/1), Michael Clark, redistribution
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BRAHMS | Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1: IV. 15–16

Chamber MusicMichael ClarkAugust 2, 2019Johannes Brahms, Clarinet Sonata in F Minor (Op. 120/1), Michael Clark, redistribution, wide arpeggio, avoid finger crossing
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