Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
“I play the left-hand F-sharp before the beat. The four treble notes sound better struck as a solid chord than rolled, and I am less bothered by the bass F-sharp being early.”
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
Submitted by Melinda Smashey Jones
Published on 12/29/2020
“A redistribution is suggested in m. 19, where the last two notes of the ascending ‘helix’ are taken in the right hand, allowing left hand more time to navigate the leap.”
Submitted by Asher Armstrong
Published on August 22, 2022
“A redistribution is suggested in m. 24, where the last two notes of the ascending ‘helix’ are taken in the right hand, allowing left hand more time to navigate the leap.”
Submitted by Asher Armstrong
Published on August 22, 2022
“The bottom note of the tied octave can be released, allowing the right-hand thumb to take the top note of the left-hand tenth. This helps reduce the number of rolled chords.”
Submitted by Michael Clark with thanks to Jennifer Hayghe
Published on 1/1/2020
“Taking the alto voice in the left hand frees the right to use stronger fingers on the ornamental figure.”
Submitted by Michael Clark with thanks to Jennifer Hayghe
Published on 1/1/2020
“The top note of this especially wide chord can be played with the right hand.”
Submitted by Michael Clark with thanks to Jennifer Hayghe
Published on 1/1/2020
“This tenor melody can be shared between the hands for maximum legato.”
Submitted by Michael Clark with thanks to Craig Nies
Published on 1/1/2020
“This chord involves an awkward layout of black and white keys and is more easily played with the left-hand taking the lowest note.”
Submitted by Michael Clark with thanks to Jennifer Hayghe
Published on 1/1/2020