IVES | "Concord" Sonata: II. Hawthorne, p. 41

Piano fingerings for Sonata No. 2 (“Concord, Mass., 1840–60”) by Charles Ives

“I play the left-hand F-sharp before the beat. The four treble notes sound better struck as a solid chord than rolled, and I am less bothered by the bass F-sharp being early.”

Submitted by Melinda Smashey Jones

Published on 12/29/2020

Solo PianoMichael ClarkMarch 28, 2018Charles Ives, Melinda Smashey Jones, Concord Sonata, avoid roll, split large chord, redistributionComment