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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

LISZT | Sonetto 104 del Petrarca: m. 6

 
Piano fingerings for Sonetto 104 del Petrarca by Franz Liszt

“Taking the alto voice in the left hand frees the right to use stronger fingers on the ornamental figure.”

Submitted by Michael Clark with thanks to Jennifer Hayghe

Published on 1/1/2020

 
Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, Michael Clark, ornament, redistribution, use stronger fingersComment
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LISZT | Sonetto 104 del Petrarca: mm. 1–4

Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, Michael Clark, split large chord, redistribution
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LISZT | Sonetto 104 del Petrarca: mm. 9–10

Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, Michael Clark, split large chord, wide accompaniment pattern, redistribution, avoid finger crossing
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