“I find this hand arrangement to be comfortable and elegant. It isolates the melody and eliminates position shifts for the right hand.”
Submitted by Michael Clark
Published on 1/6/2024
“I divide the upward gesture this way to end with a strong finger in the right hand. Redividing the chord on the downbeat of m. 25 reduces the distance of the leap in the right hand.”
Submitted by Michael Clark
Published on 1/6/2024
“Playing the C with the right hand allows me to sound the complete chord simultaneously and better voice the top note.”
Submitted by Michael Clark
Published on 1/6/2024
“Adding a few notes of the sweeping gesture to the left hand keeps the right hand from feeling too stretched.”
Submitted by Michael Clark
Published on 1/6/2024
“Taking the C into the left hand allows the right hand more time to shift positions. I find it comfortable and convenient to keep the F at the downbeat of m. 58 in the left hand.”
Submitted by Michael Clark
Published on 1/6/2024
“I split up the thirds for ease, clarity, and optimal articulation.”
Submitted by Michael Clark
Published on 1/6/2024
“Playing this also line with the left hand requires less stretch.”
Submitted by Michael Clark
Published on 1/6/2024