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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Whirlaway Waltz: mm. 56–58

 

“Taking the C into the left hand allows the right hand more time to shift positions. I find it comfortable and convenient to keep the F at the downbeat of m. 58 in the left hand.”

Submitted by Michael Clark

Published on 1/6/2024

 
Solo PianoMichael ClarkJuly 7, 2017Florence Price, Whirlaway Waltz, Michael Clark, redistribution, facilitate leap, divide more evenly between handsComment
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PRICE | Whirlaway Waltz: mm. 45–48

Solo PianoMichael ClarkJuly 7, 2017Florence Price, Whirlaway Waltz, Michael Clark, redistribution, avoid stretch
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PRICE | Whirlaway Waltz: mm. 65–66

Solo PianoMichael ClarkJuly 7, 2017Florence Price, Whirlaway Waltz, Michael Clark, redistribution, double notes, divide more evenly between hands
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