LTdC Fugue — Piano Fingerings Database

RAVEL | Le Tombeau de Couperin: Fugue: mm. 7–9

Piano fingerings for Fugue from Le Tombeau de Couperin by Maurice Ravel

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 115–16.

115, fn16: "When using divisi fingering in this piece, the pianist should be especially attentive to the sound and articulation of the three independent voices."

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, facilitate polyphonyComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 11–12

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 61, 116.

61: “The articulation of two-note slurs is often indicated within Ravel's larger phrase structures. The following example shows the increased ease of execution of the melodic slurs when the left hand shares some of the notes written on the upper staff.”

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, separate polyrhythm, facilitate polyphony, facilitate articulationComment

RAVEL | Le Tombeau de Couperin: Fugue: m. 16

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 116.

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, facilitate polyphony, improve legatoComment

RAVEL | Le Tombeau de Couperin: Fugue: m. 19

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 61, 116.

61: “Divisi fingering in the ‘Fugue’ clarifies the material being stated by the individual voices, particularly in measures where a two-against-three rhythm is scored to be played by one hand.”

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, separate polyrhythm, facilitate polyphonyComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 23–24

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 116.

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, facilitate polyphony, uncrossComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 31–33

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 61, 116.

61: “Divisi fingering in the ‘Fugue’ clarifies the material being stated by the individual voices, particularly in measures where a two-against-three rhythm is scored to be played by one hand.”

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, separate polyrhythm, facilitate polyphony, improve legatoComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 40–42

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 117.

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, separate polyrhythm, facilitate polyphonyComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 35–37

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 62, 116.

61: “The articulation of two-note slurs is often indicated within Ravel's larger phrase structures. The following example shows the increased ease of execution of the melodic slurs when the left hand shares some of the notes written on the upper staff.”

Special Collection, Solo PianoMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, facilitate polyphony, separate polyrhythm, facilitate articulationComment

RAVEL | Le Tombeau de Couperin: Fugue: mm. 46–47

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 117.

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, facilitate polyphonyComment

RAVEL | Le Tombeau de Couperin: Fugue: m. 60

SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings

Published on 5/3/2022 with the author’s permission

First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 117.

Solo Piano, Special CollectionMichael ClarkApril 10, 2017Maurice Ravel, Le Tombeau de Couperin, LTdC Fugue, Dorothy Brandwein, redistribution, separate polyrhythm, facilitate polyphonyComment