RAVEL | Le Tombeau de Couperin: Fugue: mm. 7–9
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 5/3/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 115–16.
115, fn16: "When using divisi fingering in this piece, the pianist should be especially attentive to the sound and articulation of the three independent voices."