Josh Condon — Piano Fingerings Database

Piano fingerings for Warsaw Concerto by Richard Addinsell

Submitted by Josh Condon

Published on 4/29/2020

Piano ConcertoMichael ClarkAugust 28, 2021Richard Addinsell, Warsaw Concerto, Josh Condon, hand crossing, arpeggios, redistributionComment

BEETHOVEN | Piano Concerto No. 3 in C Minor, Op. 37: I. Cadenza

Piano fingerings for the cadenza to Piano Concerto No. 3 in C Minor by Ludwig van Beethoven

User Requested Fingering

Submitted by Josh Condon

Published on 5/12/2022

Piano ConcertoMichael ClarkOctober 15, 2019Ludwig van Beethoven, Piano Concerto No. 3 in C Minor (Op. 37), Josh Condon, redistribution, arpeggios, divide more evenly between hands, user requestedComment

DEBUSSY | Estampes: III. Jardins sous la pluie: mm. 37–42

Piano fingerings for Jardins sous la pluie from Estampes by Claude Debussy

“It’s much easier to catch the melodic figure in the RH because the LH will not have to travel so far at a very fast tempo.”

Submitted by Josh Condon

Published on 4/29/2020

Solo PianoMichael ClarkFebruary 23, 2019Claude Debussy, Estampes, Josh Condon, avoid crowding, reduce position shifts, redistributionComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 13–14

Piano fingerings for Allegro de Concierto, Op. 46, by Enrique Granados

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, facilitate leap, divide more evenly between handsComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 53–56

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, arpeggios, divide more evenly between handsComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 63–64

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, avoid stretch, avoid finger crossing, reduce position shiftsComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 74–76

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, maintain technical patternComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 77–79

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, Share Middle Voice Between HandsComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 80–83

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, isolate melody, divide more evenly between hands, wide accompaniment patternComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 89–90

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, avoid roll, avoid stretchComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 93–94

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, isolate melodyComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 97–98

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, arpeggiosComment

GRANADOS | Allegro de Concierto, Op. 46: m. 120

Submitted by Josh Condon

Published on 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), Josh Condon, redistribution, arpeggios, divide more evenly between handsComment

GRANADOS | Allegro de Concierto, Op. 46: mm. 122–23

Submitted by Josh Condon

Published 6/15/2020

Solo PianoMichael ClarkSeptember 4, 2018Enrique Granados, Allegro de Concierto (Op. 46), arpeggios, divide more evenly between hands, redistribution, Josh CondonComment

RACHMANINOFF | Piano Concerto No. 2 in C Minor, Op. 20: I. Rehearsal 3

Piano fingerings for Piano Concerto No. 2 in C Minor by Sergei Rachmaninoff

Submitted by Josh Condon

Published on 6/13/2020

Piano ConcertoMichael ClarkMay 18, 2017Sergei Rachmaninoff, Piano Concerto No. 2 in C Minor (Op. 20), Josh Condon, arpeggios, isolate melodyComment

RACHMANINOFF | Piano Concerto No. 2 in C Minor, Op. 20: I. Rehearsal 8

“The left-hand thumb catches the downbeat of beat 4 every time this figure is played.”

Submitted by Josh Condon

Published on 6/13/2020

Piano ConcertoMichael ClarkMay 18, 2017Sergei Rachmaninoff, Piano Concerto No. 2 in C Minor (Op. 20), Josh Condon, redistribution, avoid stretch, avoid finger crossingComment

RACHMANINOFF | Piano Concerto No. 2 in C Minor, Op. 20: I. Rehearsal 11

“Unlike the solo tone you want to get at Rehearsal 3 by playing the melody with just one hand and all of the accompaniment in the left, here the harmony forces the right hand to play more and then is in position to play MORE of the accompaniment figures.”

Submitted by Josh Condon

Published on 6/12/2020

Piano ConcertoMichael ClarkMay 18, 2017Sergei Rachmaninoff, Piano Concerto No. 2 in C Minor (Op. 20), Josh Condon, redistribution, arpeggiosComment

RACHMANINOFF | Piano Concerto No. 2 in C Minor, Op. 20: I. Rehearsal 16

Piano fingerings for Piano Concerto No. 2 by Sergei Rachmaninoff

“I catch the top octave in the right hand, and hands are reversed. EXCELLENT because of the awkwardness in the following triplets.”

Submitted by Josh Condon

Published on 6/13/2020

Piano ConcertoMichael ClarkMay 18, 2017Sergei Rachmaninoff, Piano Concerto No. 2 in C Minor (Op. 20), avoid crowding, split octaves, Josh Condon, redistributionComment