Alexander Scriabin — Piano Fingerings Database — Piano Tricks

Posts tagged Alexander Scriabin

SCRIABIN | Prelude in A Major, Op. 11, No. 7: mm. 1–4

Piano fingerings for Prelude in A Major, Op. 11, No. 7, by Alexander Scriabin

“The lowest notes of the inner voice can be taken with the left hand to facilitate leaps in the right hand.”

Submitted by Michael Clark

Published on 3/15/2020

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, avoid stretch, reduce position shifts, redistribution, facilitate leap, Share Middle Voice Between Hands, Op. 11–7Comment

SCRIABIN | Prelude in A Major, Op. 11, No. 7: mm. 17–23

Piano fingerings for Prelude in A Major, Op. 11, No. 7, by Alexander Scriabin

“Taking some notes of the inner voice with the left hand allows better fingering in the right hand.”

Submitted by Michael Clark

Published on 3/15/2020

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, avoid stretch, reduce position shifts, redistribution, Op. 11–7Comment

SCRIABIN | Prelude in B Major, Op. 11, No. 11: mm. 1–2

Piano fingerings for Prelude in B Major, Op. 11, No. 11, by Alexander Scriabin

“The left hand often reaches directly into the hand position of the right hand. It’s simpler to have the right hand play these notes.”

Submitted by Michael Clark

Published on 3/15/2020

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, reduce position shifts, wide accompaniment pattern, redistribution, Share Middle Voice Between Hands, Op. 11–11Comment

SCRIABIN | Prelude in B Major, Op. 11, No. 11: mm. 19–24

Piano fingerings for Prelude in B Major, Op. 11, No. 11, by Alexander Scriabin

“These distributions prevent unnecessarily large shifts in position in both hands.”

Submitted by Michael Clark

Published on 3/15/2020

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, split large chord, wide accompaniment pattern, redistribution, Op. 11–11Comment

SCRIABIN | Prelude in G-flat Major, Op. 11, No. 13: m. 5

“I find this fingering gives me more control over the sound of the various lines.”

Submitted by Michael Clark

Published on 3/15/2020

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, improve legato, improve voicing, redistribution, Op. 11–13Comment