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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

SCRIABIN | Prelude in A Major, Op. 11, No. 7: mm. 17–23

 
Piano fingerings for Prelude in A Major, Op. 11, No. 7, by Alexander Scriabin

“Taking some notes of the inner voice with the left hand allows better fingering in the right hand.”

Submitted by Michael Clark

Published on 3/15/2020

 
Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, avoid stretch, reduce position shifts, redistribution, Op. 11–7Comment
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SCRIABIN | Prelude in A Major, Op. 11, No. 7: mm. 1–4

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, avoid stretch, reduce position shifts, redistribution, facilitate leap, Share Middle Voice Between Hands, Op. 11–7
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SCRIABIN | Prelude in B Major, Op. 11, No. 11: mm. 1–2

Solo PianoMichael ClarkAugust 15, 2016Alexander Scriabin, Preludes (Op. 11), Michael Clark, reduce position shifts, wide accompaniment pattern, redistribution, Share Middle Voice Between Hands, Op. 11–11
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