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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Hilda's Waltz: mm. 55–58

 

“Taking the E in the right hand assists with maintaining legato in all lines.”

Submitted by Michael Clark

Published on 10/14/2023

 
Solo PianoMichael ClarkJuly 30, 2017Florence Price, Hilda's Waltz, Michael Clark, redistribution, Share Middle Voice Between Hands, improve legato, facilitate polyphonyComment
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PRICE | Hilda's Waltz: mm. 27–29

Solo PianoMichael ClarkJuly 30, 2017Florence Price, Hilda's Waltz, Michael Clark, redistribution, sustain bass note, Share Middle Voice Between Hands
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PRICE | Impromptu No. 1: mm. 106–7

Solo PianoMichael ClarkJuly 30, 2017Florence Price, Impromptu No. 1 in A Major, Michael Clark, fingering only, reduce position shifts, thumb on two notes
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