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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Hilda's Waltz: mm. 27–29

 

“Taking the C and B with the right hand allows the left hand to sustain the bass note for its full value.”

Submitted by Michael Clark

Published on 10/14/2023

 
Solo PianoMichael ClarkJuly 30, 2017Florence Price, Hilda's Waltz, Michael Clark, redistribution, sustain bass note, Share Middle Voice Between HandsComment
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PRICE | Two Busy Little Hands: mm. 25–28

Solo PianoMichael ClarkJuly 30, 2017Florence Price, Two Busy Little Hands, Michael Clark, redistribution, reduce position shifts, reduce reach across body
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PRICE | Hilda's Waltz: mm. 55–58

Solo PianoMichael ClarkJuly 30, 2017Florence Price, Hilda's Waltz, Michael Clark, redistribution, Share Middle Voice Between Hands, improve legato, facilitate polyphony
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