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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

SANCAN: Sonatine pour flûte et piano: I. mm. 36–39

 
Piano fingerings for Sonatine for Flute and Piano by Pierre Sancan

“Splitting the notes this way can help make the staccato chords more crisp without the need of rolling them.”

Submitted by Wade Troyer

Published on 9/27/2022

 
Chamber MusicMichael ClarkJanuary 27, 2017Pierre Sancan, Sonatine pour flûte et piano (1946), Wade Troyer, avoid roll, avoid stretch, split large chord, facilitate articulation, redistributionComment
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SAINT-SAËNS | Concerto No. in G Minor, Op. 22: II. mm. 62–63

Piano ConcertoMichael ClarkFebruary 12, 2017Camille Saint-Saëns, Michael Clark, final chord, redistribution, Piano Concerto in G Minor (Op. 22)
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SANCAN: Sonatine pour flûte et piano: I. mm.43–44

Chamber MusicMichael ClarkJanuary 27, 2017Pierre Sancan, Sonatine pour flûte et piano (1946), Wade Troyer, avoid roll, facilitate articulation, split large chord, avoid stretch, redistribution
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