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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

SAINT-SAËNS | Concerto No. in G Minor, Op. 22: II. mm. 62–63

 

“Taking the final notes of the arpeggio together as a sixth ensures a tidy ending.”

Submitted by Michael Clark

Published on 1/12/2020

 
Piano ConcertoMichael ClarkFebruary 12, 2017Camille Saint-Saëns, Michael Clark, final chord, redistribution, Piano Concerto in G Minor (Op. 22)Comment
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SAINT-SAËNS | Concerto in G Minor, Op. 22: II. mm. 26–27

Piano ConcertoMichael ClarkFebruary 12, 2017Camille Saint-Saëns, Michael Clark, maintain technical pattern, redistribution, Piano Concerto in G Minor (Op. 22)
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SANCAN: Sonatine pour flûte et piano: I. mm. 36–39

Chamber MusicMichael ClarkJanuary 27, 2017Pierre Sancan, Sonatine pour flûte et piano (1946), Wade Troyer, avoid roll, avoid stretch, split large chord, facilitate articulation, redistribution
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