BARTÓK | Piano Sonata (1926): II. mm. 13–14
“Taking the G into the right hand in m. 14 helps keep the different articulations distinct and eliminates the leaps in the left hand.”"
Submitted by Michael Clark
Published on 1/13/2022
“Taking the G into the right hand in m. 14 helps keep the different articulations distinct and eliminates the leaps in the left hand.”"
Submitted by Michael Clark
Published on 1/13/2022