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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARTÓK | Piano Sonata (1926): II. 22–23

 
Piano fingerings for Sonata (1926) by Béla Bartók

“The bottom voice of the treble staff can be incorporated into the left hand at the end of m. 22 to avoid crowding.

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Share Middle Voice Between Hands, Michael Clark, avoid crowding, redistribution
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BARTÓK | Piano Sonata (1926): II. mm. 13–14

Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Michael Clark, redistribution, clear articulation, facilitate leap
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BARTÓK | Piano Sonata (1926): II. mm. 41–42

Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Michael Clark, redistribution, uncross, avoid crowding
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