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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

LISZT | Transcendental Etude No. 10 in F Minor: mm. 22–24

 
Piano fingerings for Transcendental Etude No. 10 in F Minor by Franz Liszt

“The right hand can assist with this awkward left-hand pattern.”

Submitted by Michael Clark

Published on 8/11/2021

 
Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, redistribution, awkward passagework, divide more evenly between handsComment
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LISZT | Transcendental Etude No. 10 in F Minor: mm. 7–9

Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, wide accompaniment pattern, redistribution
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LISZT | Transcendental Etude No. 10 in F Minor: mm. 61–68

Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, split large chord, wide accompaniment pattern, redistribution, avoid stretch
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