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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

LISZT | Transcendental Etude No. 10 in F Minor: mm. 61–68

 

Fingerings in Italics are Liszt’s.

Piano fingerings for Transcendental Etude No. 1 by Franz Liszt

“The first note of these triplets can always be taken with the right hand to avoid stretching or rolling.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, split large chord, wide accompaniment pattern, redistribution, avoid stretchComment
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LISZT | Transcendental Etude No. 10 in F Minor: mm. 22–24

Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, redistribution, awkward passagework, divide more evenly between hands
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LISZT | Transcendental Etude No. 10 in F Minor: mm. 75–77

Solo PianoMichael ClarkFebruary 20, 2018Franz Liszt, Transcendental Etude No. 10, Michael Clark, maximize power, alternating hands, redistribution, choreography
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