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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 71–77

 

“Silently transferring the D-flat in m. 77 from the right hand to the left hand lets the chord sustain while allowing the right hand to position itself for what follows.”

Submitted by Michael Clark

Published on 10/4/20

 
Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, Silent hand transfer, stagger position shiftsComment
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PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 51–54

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, arpeggios, avoid finger crossing
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PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 110–11

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, hand crossing, grace note(s), facilitate leap
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