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Brandwein's Ravel Fingerings

How It Works Who We Are

Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf Contributors Technical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search

fingerings reimagined

PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 51–54

Piano fingerings for Dances in the Canebrakes: Silk Hat and Walking Cane by Florence Price

“In this case, a finger crossing can’t be avoided. I find it easier for the left hand to cross with finger 2 over the distance of a third than any alternate fingering in the right hand.”

Submitted by Michael Clark

Published on 10/4/2020

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, arpeggios, avoid finger crossingComment

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PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 39–41

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, avoid finger crossing, redistribution, awkward passagework

PRICE | Dances in the Canebrakes: Silk Hat and Walking Cane: mm. 71–77

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, Silent hand transfer, stagger position shifts

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