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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PROKOFIEV | Ten Pieces from Romeo and Juliet, Op. 75: Montagues and Capulets, mm. 37–39

 
Piano fingerings for Montagues and Capulets from Ten Pieces from Romeo and Juliet, Op. 75, by Sergei Prokofiev

“Splitting up this accompaniment (and the grace notes in particular) between the hands allows an even stronger, more pesante delivery.”

Submitted by Michael Clark with thanks to Jennifer Hayghe

Published on 1/1/2020

 
Solo PianoMichael ClarkJune 10, 2017Sergei Prokofiev, Ten Pieces from Romeo and Juliet, Michael Clark, maximize power, redistribution, grace note(s)Comment
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PROKOFIEV | Piano Sonata No. 6 in A Major, Op. 82: m. 1–3

Solo PianoMichael ClarkJune 12, 2017Sergei Prokofiev, Piano Sonata No. 6 (Op. 82), Jimmy Cheung, fingering only, double notes
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PROKOFIEV | Ten Pieces from Romeo and Juliet, Op. 75: Friar Lawrence: mm. 12–13

Solo PianoMichael ClarkJune 10, 2017Sergei Prokofiev, Ten Pieces from Romeo and Juliet, Michael Clark, improve legato, reduce position shifts, redistribution
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