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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PROKOFIEV | Ten Pieces from Romeo and Juliet, Op. 75: Friar Lawrence: mm. 12–13

 
Piano fingerings for Montagues and Capulets from Ten Pieces from Romeo and Juliet, Op. 75, by Sergei Prokofiev

“The E-natural fits easily into the left hand and allows a more legato delivery.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkJune 10, 2017Sergei Prokofiev, Ten Pieces from Romeo and Juliet, Michael Clark, improve legato, reduce position shifts, redistributionComment
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PROKOFIEV | Ten Pieces from Romeo and Juliet, Op. 75: Montagues and Capulets, mm. 37–39

Solo PianoMichael ClarkJune 10, 2017Sergei Prokofiev, Ten Pieces from Romeo and Juliet, Michael Clark, maximize power, redistribution, grace note(s)
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RACHMANINOFF | Sonata in G Minor for Cello and Piano, Op. 19: II. mm. 3–6

Chamber MusicMichael ClarkMay 19, 2017Sergei Rachmaninoff, Cello Sonata in G Minor (Op. 19), Ben Pawlak, wide accompaniment pattern, redistribution
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