“Where possible, I like to take the tops of arpeggios that reach high into the treble staff with the right hand.”
Submitted by Michael Clark
Published on 4/13/2020
“I find it more comfortable to end the right hand with a finger crossing than to start the left hand with one.”
Submitted by Michael Clark
Published on 4/13/2020
“As often happens in Strauss, the left reaches to a note the right hand is already playing. Why not have the right hand play it?”
Submitted by Michael Clark
Published on 4/13/2020
“Taking this dyad in the left hand eliminates position shifts in the right hand.”
Submitted by Michael Clark
Published on 4/13/2020
“I find some of these arpeggios more comfortable when taken hand over hand.”
Submitted by Michael Clark
Published on 4/13/2020
“This arpeggio comes very easily hand over hand.”
Submitted by Michael Clark
Published on 4/13/2020
“I like to divide these arpeggios more evenly between the hands.”
Submitted by Michael Clark
Published on 4/13/2020
“The sixths are more legato when taken with two hands.”
Submitted by Michael Clark
Published on 4/13/2020
“The F-flat and D can be played with the left-hand thumb to facilitate a legato melody.”
Submitted by Michael Clark
Published on 4/13/2020