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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

TOSTI | Quattro canzoni d'Amaranta: III. In van preghi: mm. 21–22

 
Piano fingerings for In van preghi from Quattro canzoni d’Amaranta by Paolo Tosti

“The sixths are more legato when taken with two hands.”

Submitted by Michael Clark

Published on 4/13/2020

 
Art SongMichael ClarkJanuary 13, 2016Paolo Tosti, Quattro canzoni d'Amaranta, Michael Clark, art song, double notes, redistribution, improve legatoComment
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TCHAIKOVSKY | Piano Concerto No. 1 in B-flat Minor, Op. 23: I. mm. 115–16

Michael ClarkFebruary 15, 2016Pyotr Ilyich Tchaikovsky, Piano Concerto No. 1 in B-flat Minor (Op. 23), redistribution, split 3-voice octaves, improve legato, William Brown
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VAUGHAN WILLIAMS: On Wenlock Edge: I. mm. 1–4

Chamber MusicMichael ClarkDecember 31, 2015Ralph Vaughan Williams, On Wenlock Edge, Timothy Jones, fingering only, double notes
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