“Dividing these sixths between the hand improves legato and helps control the dynamic level of the accompaniment.”
Submitted by Michael Clark
Published on 1/1/2020
“Dividing these sixths between the hand improves legato and helps control the dynamic level of the accompaniment.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking these tenor notes in the right hand allows the bass note to be held for clearer pedaling.”
Submitted by Michael Clark
Published on 8/11/2021
“Taking these tenor notes in the right hand allows the bass note to be held for clearer pedaling.”
Submitted by Michael Clark
Published on 8/11/2021
“I can reach the B-flat on the downbeat of m. 44 with my right-hand thumb which eliminates the need to jump in the left hand and facilitates clearer pedaling. When the left hand has rests, it can play the melody notes, freeing the right hand for better control of the sixteenth notes.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the B-flat in the left hand continues the technical pattern of the previous measure and allows the right hand to begin in a more compact position.”
Submitted by Michael Clark
Published on 8/11/2021
“I find easier to jump to this distribution of the chord.”
Submitted by Michael Clark
Published on 8/11/2021