“It’s unwieldy to keep these two lines legato with the left hand alone. The right hand can intervene.”
Submitted by Michael Clark
Published on 1/1/2020
“It’s unwieldy to keep these two lines legato with the left hand alone. The right hand can intervene.”
Submitted by Michael Clark
Published on 1/1/2020
“This hand distribution helps reduce the number of position shifts to as few as possible.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the last note of the tenor line in the right hand frees the left hand for a smooth transition to its next position.”
Submitted by Michael Clark
Published on 1/1/2020
“This distribution divides the triplets more evenly between the hands, eliminating finger crossing where possible.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking one additional note in the right hand gives just enough time for a more secure left-hand leap.”
Submitted by Michael Clark
Published on 1/1/2020
“This redistribution is designed to achieve maximum legato.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the A as an octave with the right hand gives the left hand more time to shift to its new position.”
Submitted by Michael Clark
Published on 1/8/2022
“Taking some of the bottom notes of the treble staff into the left hand allows the right hand to remain in a more compact position.”
Submitted by Michael Clark
Published on 1/1/2020