“Splitting the melody between the hands helps the right hand stay in the position necessary to play the thirty-second note line.”
Submitted by Michael Clark
Published on 3/15/2020
“These quick sixths are more reliably and smoothly played with two hands.”
Submitted by Michael Clark
Published on 3/15/2020
“This wide left-hand accompaniment reaches up into the right-hand register, allowing several notes to be more comfortably taken by the right hand.”
Submitted by Michael Clark
Published on 3/15/2020
“Though it’s not obvious on first glance, these notes are within the reach of the right hand.”
Submitted by Michael Clark
Published on 3/15/2020
“The left is already on the D-flat, so there is no need for the right-hand to shift.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking the C in the right-hand allows the first chord to be struck simultaneously.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking the E-sharps with the left hand when possible helps differentiate the lines.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking the C-flats in the right hand keeps the reach within an octave.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking the B in the left hand allows each hand to remain in position.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking these notes in the right hand helps differentiate the voices and eliminates the need to stretch or leap to them.”
Submitted by Michael Clark
Published on 3/15/2020
“These notes in the alto line are all within easy reach of the left hand and allow for a more legato performance of the octaves.”
Submitted by Michael Clark
Published on 3/15/2020
“Taking the final F in the right hand makes the leap easier.”
Submitted by Michael Clark
Published on 3/15/2020
“I can articulate these rapid notes more clearly with this redistribution.”
Submitted by Michael Clark
Published on 3/15/2020