“Taking the tenor D with the right-hand thumb in m. 34 helps me voice that line and maintain legato without pedal, which in turn facilitates a short articulation for end of the right-hand slur.”
Submitted by Michael Clark
Published on 1/5/2024
“Taking the tenor D with the right-hand thumb in m. 50 helps me voice that line and maintain legato without pedal, which in turn facilitates a short articulation for end of the right-hand slur.”
Submitted by Michael Clark
Published on 1/5/2024
“This fingering helps me highlight the accented melody with stronger fingers.”
Submitted by Michael Clark
Published on 1/5/2024
“Taking these two melody notes in the left hand allows the right hand more time to prepare for its next position.”
Submitted by Michael Clark
Published on 1/5/2024