Pyotr Ilyich Tchaikovsky — Piano Fingerings Database

TCHAIKOVSKY | Piano Concerto No. 1 in B-flat Minor, Op. 23: I. mm. 58–60

“The numerous instances like these throughout the movement free up the right hand to be more legato and to more easily follow the melodic inflection.”

Submitted by Bill Brown with thanks to Menahem Pressler

Published on 5/15/2020

Piano ConcertoMichael ClarkFebruary 15, 2016Pyotr Ilyich Tchaikovsky, Piano Concerto No. 1 in B-flat Minor (Op. 23), redistribution, split 3-voice octaves, improve legato, William BrownComment

TCHAIKOVSKY | Piano Concerto No. 1 in B-flat Minor, Op. 23: I. mm. 94–95

“The numerous instances like these throughout the movement free up the right hand to be more legato and to more easily follow the melodic inflection.”

Submitted by Bill Brown with thanks to Menahem Pressler

Published on 5/15/2020

Piano ConcertoMichael ClarkFebruary 15, 2016Pyotr Ilyich Tchaikovsky, Piano Concerto No. 1 in B-flat Minor (Op. 23), redistribution, split 3-voice octaves, improve legato, William BrownComment

TCHAIKOVSKY | Piano Concerto No. 1 in B-flat Minor, Op. 23: I. mm. 98–100

Piano fingerings for Piano Concerto No. 1 in B-flat Minor, Op. 23, by Pyotr Ilyich Tchaikovsky

“The numerous instances like these throughout the movement free up the right hand to be more legato and to more easily follow the melodic inflection.”

Submitted by Bill Brown with thanks to Menahem Pressler

Published on 5/15/2020

Piano ConcertoMichael ClarkFebruary 15, 2016Pyotr Ilyich Tchaikovsky, Piano Concerto No. 1 in B-flat Minor (Op. 23), redistribution, split 3-voice octaves, William BrownComment

TCHAIKOVSKY | Piano Concerto No. 1 in B-flat Minor, Op. 23: I. mm. 115–16

“The numerous instances like these throughout the movement free up the right hand to be more legato and to more easily follow the melodic inflection.”

Submitted by Bill Brown with thanks to Menahem Pressler

Published on 5/15/2020

Michael ClarkFebruary 15, 2016Pyotr Ilyich Tchaikovsky, Piano Concerto No. 1 in B-flat Minor (Op. 23), redistribution, split 3-voice octaves, improve legato, William BrownComment