“Taking the F in the right hand helps each hand get into its new position without colliding, ensuring a secure start to the piece.”
Submitted by Michael Clark
Published on 1/3/2021
“Taking the F in the right hand helps each hand get into its new position without colliding, ensuring a secure start to the piece.”
Submitted by Michael Clark
Published on 1/3/2021
“The large leap in the left hand can be avoiding by taking the G in the right hand.”
Submitted by Michael Clark
Published on 1/3/2021
“I find the left hand passage somewhat awkward, and the brief intervention of the right hand alleviates the difficulty.”
Submitted by Michael Clark
Published on 1/3/2021
“If a ninth is comfortable for your left hand, I recommend this rearrangement which requires less shifting in the right hand.”
Submitted by Michael Clark
Published on 1/3/2021
“The right hand can easily take the F to allow the left hand more time for its position shift.”
Submitted by Michael Clark
Published on 1/3/2021
“I don’t mind start with 1 on a black key when it facilitates a consistent fingering pattern.”
Submitted by Michael Clark
Published on 1/3/2021
“This redistribution eliminates a stretch and can facilitate voicing of the alto melody.”
Submitted by Michael Clark
Published on 1/3/2021
“In such a low range, I prefer to start the grace notes as an octave. It also simplifies the groupings in the right hand.”
Submitted by Michael Clark
Published on 1/3/2021