“In mm 127–8 of the lyrical Cante Jondo middle section, the LH accompaniment reach is large for small-handed people (the only passage in this section like this), so I play the right-hand melody with my fifth finger and take the alternating E and G sharp of left left hand with my right hand, and cross my left hand over to only play the accompaniment F sharp. Voiced properly, no one will ever know the difference.”

Submitted by James Palmer

Published on 8/27/2021

“The LH grace notes/mordant is super awkward as written, but falls nicely between the hands if one takes the first note in the left-hand thumb and the next in the right-hand thumb.”

Submitted by James Palmer

Published on 8/27/2021

“I take the C on the second eighth of each measure with the left hand since the LH is already there and it gives the right hand time to smoothly jump down and pick it up form there. If it is phrased well, no one will ever know the difference and one can avoid gaps that disrupt the flow of this cute ending.”

Submitted by James Palmer

Published on 8/27/2021